Jane
Austen's Emma
(1815) is not as accomplished as Pride
and Prejudice
but it is one of her better novels.
The
twenty-one year old title character is described in the first
sentence as handsome, clever and rich and a little later (on chapter
10) she confesses to a friend that she has “very little intention
of ever marrying at all”. This appears to be terribly upsetting as
we know Jane Austen's novels are virtually about women in quest of a
marriage with financial security. Otherwise, we are in Austen's
world. We get acquainted with a number of characters and join their
dinners and dances, eavesdrop on their conversations and take walks
or picnics in the country. We find out how they dress, what they eat,
how they talk and think. Men “of advantage” occasionally
disappear for business and their women have precious little to occupy
themselves with. Servants are the silent majority. I don't remember a
significant dialogue with any of them or a single name being given. I
think that today's authors are far more generous with things
because sometimes they do give the brand of a car or a vacuum
cleaner.
Reader,
you may hate me for saying this, but I think that Jane Austen is also
the greatest gossip who ever lived. How can I say such a terrible
thing about a great writer and expect to get away with it? Mainly
because I count my readers in the thousands and she in the millions.
You see, I am too slight to diminish her greatness! But because I am
a writer, I have some understanding of why people write. So, before
you knock me down, let's briefly look at her life.
Jane
Austen was part of a close-knit country family, staying forever
indoors and meeting few people. She received a single proposal of
marriage from an unattractive, tactless and aggressive man which she
accepted immediately--only to refuse him the next day. So she
remained a spinster and lived with her sister until her early death
at forty-one years old. It is no secret, as she points out in her
novels, that women of means in her century had little to do in their
lives other than marry, run a house and organize social events. She
did not have this potential. But she did have a talent: She wrote
well. So she used her writing as a means of escape from her meagre
life. She inhabited the lives of her major heroines, met wonderful
men who proposed to her, married them and got carried off to their
lavish mansions. And within this framework she introduced tens of
characters who did little but observe each other's conversation and
behaviour. Many, if not most of them, have little or no bearing to
the story. Analysts say that they establish the background. But do we
really need so very many? Do I need to tell you what each of my
neighbours says or does to establish the background of my
neighbourhood? I might do so, but how many pages would I use in a 500
page book? Would two be enough? How about five? Reader, I have made
no formal study, but my feeling is that she doesn't use 50 or even
100. I would think that about half of Emma
is packed with all this. So it can't be the background but stage
centre. Now what would you call that?
I
would call it gossip. Only in gossip does the background of a place
take stage centre. And how successful can a person be at it? Well, if
you cover your neighbourhood and carry the information to your
family, you are ordinary. If you carry it back to your entire
neighbourhood, then you are good. If you manage to print it in your
local paper you are excellent. And if you are the marvellous Elsa
Maxwell and publish it across an entire country and the world you are
the best of the best! Or are you? What if you are a great writer and
manage to disguise gossip as literature? What if it's read by
millions across the world for the last two centuries and many more to
come?
Reader,
hate me if you must, but please admit that what I say is logical. And
if you mistrust my logic, simply look at her only surviving picture
above.
I
don't know what she looks like to you, but I
have to keep reminding myself that she is also
a great writer!
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