The
Air House was on the south side of the big Van Riebeek Square, next
to an eighteenth-century Residency which housed a department of the
Ministry of Public Health.
Eric
Ambler: The Night-Comers
Right
there, in my mind's eye, there was a picture of the big square. It
had various buildings all around it and beyond them there were large
fields. But why fields? Hadn't I read in the previous paragraph that
the square was in the midst of a city of a million and a half? So
beyond the square there had to be other buildings, perhaps even plain
houses, but no fields. I quickly backtracked to the previous
paragraph. Yes, it was just as I had thought. What was going on here?
Why was the author saying one thing and I was imagining another? I
was under the impression that the author's words set-up a sort of
framework on which our imagination builds a picture based on our
experiences. But here I had built a picture that was definitely
different from the one described. Was my imagination so wild that
even the author whose words I was reading couldn't restrain it? Or
was I changing the story I was reading to something of my own?
As
I read on, I payed careful attention to exactly what I imagined and
what the author said. Soon enough, city streets and buildings
replaced the fields around the main square. In the last chapters of
the book I travelled in a military jeep from the main square through
a large section of the city while a military entanglement had just
stopped by a cease fire. So my imagination was tamed by the author's
words. And yet, what I had first imagined in my mind's eye was
inaccurate, and later, the fictional Indonesian city's streets I had
made-up highly resembled my own Canadian neighbourhood when I was
much younger.
And
then it stroke me. Quickly I checked my book-list to see when I had
first read The Night-Comers. Sure enough, I was of high-school
age. Apart from Canadian houses in an Indonesian city, the soldiers
in the story seemed to be carrying weapons that looked like those my
dad had described from his experiences in the Second World War. Were
the images in my mind's eye during my second reading of the book
coming from those I had made up in my first reading forty years
earlier? It sounded far-fetched but it made sense. I next read John
Wyndham's The Chrysalids, a book I hadn't touched since I was
in grade 10. Sure enough, even though the story was in an unspecified
country after an atomic war, in my mind's eye I saw the fields and
buildings outside my grandfather's house!
When
an author writes a book, he takes the images of his fertile
imagination and changes them into words. When you read a book, you
change the author's words back into images. Your images can only be
built from your personal experiences. So there is no way that the
author's images can ever match your own. Two different people—two
different personalities—living on different parts of the world with
different experiences will imagine two different things. When someone
makes a movie out of a book you've read, even if the movie has kept
close to the book, what you will see on the screen will be quite
different from what you had imagined. What was filmed could only be
what the film and art-directors had imagined.
If
you read a book when you are young, your collection of images from
the world is small. Invariably, the book's setting and characters is
limited to your particular surroundings and experiences at the time.
If you now put the book aside for many years and reread it when you
are much older, your imagination probably won't bother constructing
new images. Because of the way our memory operates, as you reread the
same words, they will simply trigger the older images from your
memory and bring them forward. Like me, you will find yourself in old
neighbourhoods, visit grandpa and notice that your grumpy old
neighbour was the bad guy. When you reread a book you haven't touched
since you were a youngster, you will do more than take a trip down
memory lane. You will ultimately rediscover the younger you.
So
why were there fields surrounding the large square of the main city
in my mind's eye? Chances are I had misread or missed altogether a
couple of sentences in the previous paragraph and painted a wrong
image. It was no big deal because I corrected it as I read on.
Now-days
things like telephone calls distract us. Back then, I would put
my money on a pretty girl!
Ελαφρύ και δροσερό Νικήτα. 'Ετσι νιώθω κι εγώ όταν ξαναδιαβάζω βιβλία που είχα να διαβάσω από παιδί.
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