Farley
Mowat (1921- ) is Canada's best-selling author and environmentalist.
He has published 45 books and sold 17 million copies in over fifty
languages. Outside Canada, he is not as well known as compatriot
Margaret Atwood. But still, he is the most
Canadian
of Canadian writers because well, he writes about Canada. In Mowat's
stories, Canada is not simply the setting or the background. It forms
the foreground. So he is the
Canadian author, just as Gordon Lightfoot is the
Canadian musician.
He
was born in Belleville, Ontario in 1921. He was the only child of
Angus Mowat, a writer and librarian, who relocated his family several
times in different places across Canada, a practise that Farley was
to continue as an adult. As a boy, Farley loved nature and animals,
and his room at times resembled a small zoo. His amusing stories The
Dog Who Wouldn't Be
(1957) and Owls
in the Family
(1961) vividly recollect that period. Later he joined the war effort
and took an active part in the invasion of Sicily and Italy. From his
war experiences he later wrote The
Regiment
(1955) And
No Birds Sang
(1979). After the war, Mowat studied Biology at the University of
Toronto and wrote his first book, People
of the Deer
(1952). This book singlehandedly exposed the mistreatment of Canada's
native people and made Mowat a celebrity overnight. As a result the
Canadian government started shipping food to the Caribou Inuit people
whose very existence they previously denied.
The
impact of Never
Cry Wolf
(1963)
was
much greater. He was dropped alone in the frozen tundra to study the
arctic wolf and examine why it slaughtered the arctic caribou. Here
Mowat discovered that wolves are not a den of marauding killers, as
per their fairy story portrayal, but a courageous family of skillful
providers and devoted protectors of their young. His brilliant
narrative re-examines the myth and the truth of wild wolves and man's
true place among the creatures of nature. “We have doomed the
wolf”, he says in his preface, “not for what it is, but for what
we deliberately and mistakenly perceive
it to be – the mythological epitome of a savage, ruthless killer –
which is, in reality, no more that the reflected image of ourself”.
In
the sixties, Mowat became interested in Newfoundland
Island that had joined Canada in 1949.
He portrayed the land and its people in This
Rock Within the Sea
(1968) and, in perhaps his most entertaining account, his sailing in
its waters in The
Boat Who Wouldn't Float
(1969). In a Mowat book, a sailboat has a character of its own (hence
Who
instead of That.)
In his next
book,
A
Whale for the Killing
(1972) he examined the tragedy of a stranded whale in a Burgeo tidal
pond and the
local people's reaction
to it. The locals reacted so strongly that Mowat was forced to leave
his home and relocate.
Mowat's
curiosity and research led him to various places and subjects, as
different as Siberia in The
Siberians
(1970), Sibir
(1970) and Tundra
(1973) and Dian Fossey in Virunga
(1977) and Woman in the Mists (1977). His account of the destruction
of animal life in the North Atlantic in
Sea of Slaughter
(1984) barred his entry in 1985 in the United States when he tried to
go for the book tour. The large negative publicity forced the Reagan
Administration to reconsider and allow him to enter. But Mowat
declined on the basis that it was for only one entry, his book tour,
and hence he thought it was undignifying. He has received many awards
for his three youth books: Lost
in the Barrens
(1956), The
Black Joke
(1962) and The
Curse of the Viking Grave
(1966). After the
1990's he has refreshed the accounts of the various periods in his
life. Although these accounts are complimentary, quite often they are
also contradictory to what he has said before.
Farley
Mowat has fought through his writing for most environmental issues.
His quote of “never let the facts get in the way of the truth”
has been often misquoted to “never let the facts get in the way of
a good story”. He has gained both praise and criticism, and like
everyone who has fought for the environment, has amassed enemies. Yet
whatever you may think of him as a person, you
cannot deny that he
has influenced and even singlehandedly changed public opinion on many
issues. His stories are personal and friendly and at the same time
gripping and fast moving. His writing style is simple and his
vocabulary rich. His commitment to the environment,
undeniable. You cannot remain neutral after reading a Mowat account.
You become emotionally involved.
You
either praise and admire him and
drink to his health or
try to hang him from the main mast of his sailboat.
How, if at all, has Mowat influenced your writing style?
ReplyDeleteJeff Pilch
I don't think he has, Jeff. I did not read his books while my style was being formed; besides, I don't have his vocabulary. I think, at my best, I sound somewhere between Eric Ambler and Somerset Maugham.
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